Book discussion: Chapters 40-42

[queen_ypolita]

Chapters 40-42

In these three chapters Maurice flees Penge, is terrified of the letters and telegrams he receives from Alec, and has it confirmed by Lasker Jones that he's not very likely to change.

The story Maurice told the Durhams about the girl he's supposed to have in town provides the excuse he needs to leave Penge immediately (and they can see he's feeling ill anyway). Clive drives him to the station, which gives Maurice the opportunity to probe him about Alec's background, but what he learns only upsets him more. How could he have fallen for a butcher's son? And he feels ashamed about abusing his hosts' kindness and hospitality. Getting back to home doesn't much help with his shame and guilt, as he's all too aware of betraying his mother and sisters with his lust. I'm not entirely sure if he's being a bit too hyperbolic there.

He's not prepared for all the communications from Alec that start arriving: a telegram, a letter, then another letter. In the first letter, Maurice's eyes are drawn to the sentence "I have key", referring to the boathouse, which in Maurice's mind turns into a great blackmailing scheme complete with accomplishes. But the sentence is also open to figurative meaning. At Lasker Jones's office, Maurice is trying to put into words what happened, and wonders how someone like Alec was able to press all the right buttons at the moment when Maurice's defences were down--so clearly, he did hold a key. To be honest, I find the fact that Alec writes a bit surprising. He feels deeply, that's clear enough, and clearly he respects the boundaries enough to write rather than turn up on Maurice's doorstep without warning, but still I can't quite reconcile the letters to the man. But it's largely a problem of Alec being so invisible in the book, a character whose thoughts we're not, on the whole, privy to.



Maurice goes to his second appointment with Lasker Jones with high hopes and a sense of urgency, but it is not to be. He's no longer open to suggestion, with the knowledge of having fulfilled his desires weighing on his mind. He's forced to confess all to Lasker Jones, who's still very nonjudgemental, but cannot offer any more help. He does, however, have a piece of advice: living in a country with a legal system derived from Code Napoleon, where homosexual acts are no longer a crime.



The mention of abroad prompts Maurice to explain his theory that in the past men had the wild woods of England to hide. While it might be a sweet idea, it's not offering much practical help at the moment.

With the hypnosis failing, Maurice is beginning to reassess his life. His work no longer seems a privilege but something pointless, providing a service to clients who are so conventional and utterly devoid of any sense of living joyous, exciting, fulfilled lives. At least he's had something. And he's going to be meeting Alec again, although on the neutral, respectable ground of the British Museum.

Questions:

• What do you make of Alec's letters?


• Maurice goes through a wide spectrum of feelings in this chapter, but what do you think is the strongest/most important at this stage?

Photo credits:
Old letter by Lainey's Repertoire on Flickr, used under Creative Commons Attribution licence
Code Napoleon, umjanedoan on Flickr, used under Creative Commons Attribution licence

Comments

[into_the_greenwood]

At the beginning of the novel, one or two people expressed a sense of dislike with regards to Maurice, something I never felt. Until now. Much as he is a dear character, I feel that he has somehow betrayed what he and Alec had together in the Russet Room by showing Alec's letter to Lasker Jones, who then burns it.

Agh.

That is a bit on the book which always twists my heart. I'd quite like to slap Maurice at that point, but the poor chap's main emotion I think throughout these particular chapters is complete and utter panic. He runs away, the full enormity of what he's done hanging over him and when Alec writes, Maurice completely misunderstands. He's also filled with disgust with himself that he acted on nothing but carnal instincts when Alec came to his bed the night before. Up until the moment at the cricket match when Alec didn't clap, I think Maurice had been riding on the concept of Alec being The Friend. And, however much they played together on the pitch, when the outside world starts to invade, then Maurice is reminded of class, which was a hugely important concept at the time of the book being written.

Alec's insubordination at not clapping I think panics Maurice into believing that Alec may not treat Maurice with respect in the outside world, and obviously the threat of blackmail is very real to him, especially as that is how he interprets Alec's letter.

As for the letters themselves. I think Alec has grasped the concept of 'friend' by this time, and he has fully understood what Maurice was saying when he asked Alec if he'd ever had a friend. Also, I think through Maurice's other actions and words, both those we read in the book and whatever else passed between them that night, Alec has come to his own conclusion about what Maurice means to him. Spurred on by this, and realising he has somehow, rather annoyingly probably, fallen in love for the first time, I don't think he has any other option but to write to Maurice.

He isn't a man who is afraid to express himself, he certainly wasn't afraid to come to Maurice's room, albeit only because he was leaving the country and had nothing to loose in the long term. If it had gone badly, he could just hole up somewhere. But, Alec has a lot of bravery about him, and his feelings for Maurice are such that he just can't let him go away without Alec trying to see him again.

Finally, about the 'I have a key'. Alec certainly does - he has the key to Maurice's feelings and thoughts, and Maurice knows this...which must absolutely and utterly terrify him. Alec knows him for who he is, not superficially like Risley or Clive, but very deeply I think.

[queen_ypolita]

I feel that he has somehow betrayed what he and Alec had together in the Russet Room by showing Alec's letter to Lasker Jones, who then burns it
Yes, that was nasty. Actually, I'm surprised that Lasker Jones burnt it. I can understand Maurice regarding the letter as if it somehow stands for Alec and by destroying he's destroying the experiences they shared, but Lasker Jones seems all too calm and composed to do anything quite so melodramatic.

And the return of Maurice's awareness of class... He can be a proper snob sometimes and it's so annoying; suddenly Alec cannot be trusted at all, suddenly everything Alec does has an ulterior motive. Grrr.

[into_the_greenwood]

You are right I think - it does seem a bit over the top for Lasker Jones. But I suppose it had to go, and Maurice could hardly set it alight himself! I never fail to get angry at Maurice for this, but you know, I doubt Alec would care. If Maurice told him he would say 'well, not to matter Maurice, you're here now'. I feel he's quite a pragmatic man.

The whole of society at that time was precariously balanced on this notion of class and what one could do and not do, so I suppose Maurice is only a reflection of that. Seen from a hundred years later it's very annoying of Maurice, as you say, but, at the time, I think there would have been a lot of consternation about Maurice even contemplating being with Alec in the first place, so his swaying back and forth on the issue wouldn't be as frustrating as it is now.

In fact, I think I read somewhere, that had there been any attempt at publishing, there would have been more of a furore over the class issue than the homosexual part.

At least Maurice calms down in the next chapters and begins to see that Alec is only as scared as himself about the outcome.

[sweet_fallacy]

I think Maurice had been riding on the concept of Alec being The Friend.
It's all he's ever known, even when it was merely this vague concept that spoke to him in his dreams.

To be honest, I find the fact that Alec writes a bit surprising.

I'm with into_the_greenwood on this one. I mean, what else was he to do? I don't believe that their night in the Russet Room was meant to be anything more than a one time occurence. Or at least that's what Alec told himself, when in fact he had had his eye on Maurice since the beginning. Now having had a taste of what he wanted, and with his departure for Buenos Aires fast approaching, how could we question his desire for more?

Having some understanding of Maurice's position, Alec didn't wish to impede on his life. This meant that he couldn't just turn up or call, as queen_ypolita said, but rather send a letter/telegram leaving an open window for Maurice to reach him whether that was to come to the boathouse or write a rejection. Alec didn't even say to meet him on a certain time on a particular date, but gave the gentleman some leeway so that he could come at his convenience.

As for the content of the letters, I feel that they were reflective of their conversation the morning after their night in the Russet Room. Alec asked to share once more with Maurice, which to them must mean more than mere sex. Alec's confession to having a copy of the key is no surprise to us for we already know he can be insubordinate. Not only does he resent the Durhams for treating him so lowly, but... if we were to go back to the dinner scene where he had Simcox ask if Maurice would like to take a bath, that was bordering on 'too bold'. Not to mention that he climbed into a gentleman's window in the dead of night. Both actions were telling signs of his mounting desperation.

it does seem a bit over the top for Lasker Jones.

I'm afraid I disagree. That's incriminating evidence of his client's misconduct. Best to get rid of it immediately rather than risk it falling into the wrong hands one way or another. As for Maurice's betrayal in handing it over to Lasker Jones... While it may be frustrating for one partner to be so open and the other so mistrusting... well, Maurice has very good reasons. Nevermind the class difference or the legality issues of homosexual relationships, though both very valid points for it's time, EVERYONE, even his former lover, tells him how wrong this is. He feels weak, as though his body and it's desires are not his own. And although he's already begun treatment for his condition, all Alec had to do was climb into his window when Maurice had been feeling particularly low and say, "I know." A man he hardly knew and yet what power he has over Maurice. Of course he was frightened.

Now, I'm not a huge Maurice Hall fan considering how he treats his family and so forth, but I can forgive him this.

[queen_ypolita]

That's incriminating evidence of his client's misconduct. Best to get rid of it immediately rather than risk it falling into the wrong hands one way or another.
That's a good point, I didn't consider it from the blackmailing angle, which is silly, because it's one of the reasons Maurice shows him the letter in the first place.